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What makes a great filmmaker is vision . If you do n’t have visual sense , then you ca n’t order a tarradiddle in a visual medium with any real shock . What set apart music director like Christopher Nolan and Quentin Tarantino is that they have a unique vision for their movies andthey work indefatigably to realize that vision .
However , famous directors do n’t always end up directing their own script . Their script can be take from them by a ruthless studio and afford to someone else , or they can simply turn a loss stake in helming a piece after put it on theme . Here are 10 Movies Written ( But Not Directed ) By Famous Filmmakers .
V for Vendettaby the Wachowskis
The Wachowskis might be well make love for writing and directingThe Matrixtrilogy , but they presented us with another , very unlike dystopian world on the pageboy when they bring home the bacon the handwriting forV for Vendetta .
It was an adaptation of Alan Moore ’s graphic novel of the same name , which , like the movie , was set in an alternating future where the UK is govern by absolutism andterrorized by a mask anarchist . However , the Wachowskis ’ script drastically changed the tone of the comic , swapping its satirical look for a dim one and reach atomic number 23 ’s true identity operator more obvious in the film than it is in the script .
The Adventures of Tintinby Edgar Wright
In 2011 , Edgar Wright was still ca-ca the conversion from cult - favorite British music director with movies likeShaun of the DeadandHot Fuzzto Hollywood mainstay with movies likeBaby Driverand theAnt - Manthat could ’ve been . During that meanwhile , he was lease by Steven Spielberg to compose the playscript forThe Adventures of Tintin , his large - budget motion - seizure adaption of Hergé ’s vivid comics of the same name .
Wright write the book withDoctor Whoshowrunner Steven Moffat andAttack the Blockdirector Joe Cornish . Wright ’s frequent collaborators Simon Pegg and Nick Frost also appear in the flick as Thomson and Thompson , so Spielberg is clear aThree Flavors Cornetto Trilogyfan .
Buffy the Vampire Slayerby Joss Whedon
In 1992 , an airy , light - hearted motion picture came out calledBuffy the Vampire Slayer . It was a coming - of - long time in high spirits school movie with supernatural elements that was panned by critics . The screenplay was written by Joss Whedon , who had also created the character as a way of subverting revulsion cinema ’s clichéd and misogynistic portrayal of women , but it was direct by Fran Rubel Kuzui .
Whedon feel that Kuzui ’s movie had botchedhis awesome characterand that ’s why , five years by and by , hebrought her to the small screen with the dark tone he originally intendedand found much more achiever , turning the forgotten character into an icon .
Rambo: First Blood Part IIby James Cameron
Moviegoers today may know John Rambo as a killing car who carries a giant gun and does n’t wear a shirt andplows through dozens of enemy soldiers without maintain a scratch , but that ’s not how he was to begin with conceived . The original movie , First Blood , describe him as a stager with PTSD who was harassed and drive to breaking distributor point by a local constabulary section , and even then , go out of his mode not to defeat anyone .
That all changed with the testosterone - fueled sequel , Rambo : First profligate Part II , which claim him back to Vietnam to exempt some captive of state of war ( and blow up some strange hostiles along the way ) . The movie ’s script was write by Sylvester Stallone and James Cameron , as hard as that is to think .
Suburbiconby the Coen brothers
George Clooney directedSuburbiconfrom a screenplay the Coen brothers write and abandon as far back as the ‘ fourscore . Frankly , it should ’ve stayed that mode . Clooney and his producing partner Grant Heslov punched up the Coens ’ hand , but left it essentially the same .
The report is correct in the ‘ 50 and follows the recoil of a home encroachment in suburban area at the same time as an African - American kin moves into the mostly white-hot neighborhood . It feel liketwo 45 - minute of arc moving-picture show were crammed together , with each seeming uncompleted . Also , the ham - fisted commentary on racedoesn’t help . The profound substance at the end is that racism is bad , which we already know .
Halloween IIby John Carpenter
When the slasher trend thatHalloweenstarted begin to pull ahead some traction , a sequel was in order . John Carpenter , the managing director and co - writer of the original film , returned to writeHalloween II , along with his co - writer and manufacturer Debra Hill . However , he was hesitating to reelect to the theatre director ’s death chair and Rick Rosenthal took over .
The sequel followed on directly from the original ’s drop - hanger ending , with Laurie Strode being belt along to hospital and a still - on - the - loose Michael Myers on her bum . It ’s a pretty effective continuation , at least as far as slasher sequels go . The only genuine downside isthe inane secret plan twist that Laurie is Michael ’s sister , which was groaningly contrived and unnecessary . The twist formed the foundation of every sequel to comeexcept for the recent reboot , which retconned itand , uncoincidentally , becamethe highest grossingHalloweenmovie by far .
Scarfaceby Oliver Stone
Oliver Stone has tackled a lot of American issues in his movies – the Vietnam War , the breed market place , the Kennedy assassination , the media ’s idealisation of criminals – but he relinquished his hand forScarface , a honest American epic if there ever was one , to Brian De Palma . It ’s a little on the farseeing side andits graphic violence is n’t for everybody , but there ’s no denying thatScarfaceis an faultless flick , andthe authoritative gangster movie .
Just like Tony Montana in the movie , Stone fight with an addiction to cocaine while he was researching for the handwriting , and moved to Paris to kick the riding habit while he wrote it , afterward saying : “ I do n’t think cocaine helps writing . It ’s very destructive to the brain cells . ”
Poltergeistby Steven Spielberg
The obsessed sign of the zodiac moviePoltergeistwas establish on a story by Steven Spielberg , who then developed a screenplay from that fib with Michael Grais and Mark Victor , but he did n’t direct it . Instead , the movie was place by Tobe Hooper , who is best known for helmingThe Texas Chain project Massacre , and since this is a Spielberg production , it ’s far more wholesome and less gory .
But it still packs a few fear , which is credibly why Spielberg opt out of directing it himself . His work onPoltergeistis the reason Spielberg rejected George Lucas ’ approximation to make the thirdIndiana Jonesmovie a haunted house movie , so we really dodged a bullet there .
Don’t Be Afraid of the Darkby Guillermo del Toro
Guillermo del Toro wrote the handwriting forDon’t Be Afraid of the Dark , a remake of the 1973 TV flick of the same name , with Matthew Robbins . Robbins has also get together with del Toro on the screenplays forMimicandCrimson Peak , and he previously did uncredited rewrites on the Steven Spielberg moviesJawsandClose Encounters of the Third Kind .
rather of del Toro , the movie was helmed by Troy Nixey , who is not primarily a film director , but rather a comic book creative person . Still , his experience in that visual medium – particularly in revulsion comics , too – meant that he had the mental tools to tell a story with ikon , organically taking the spectator from frame to material body .
True Romanceby Quentin Tarantino
Quentin Tarantino wroteTrue Romance , a pastiche of the rich custom of love affair and crime fiction , when he was a struggling young movie maker working at a video renting storehouse ( we ’ve all heard the story ) . Tony Scott directed the movie , butyou’d never guess it was n’t Tarantino ’s work .
Unlike Oliver Stone , who read a Tarantino script ( Natural Born Killers ) and turned it into an Oliver Stone movie , Scott remained genuine to the writer ’s imagination and directedTrue Romancethe way Tarantino would ’ve directed it . The only change Scott made to Tarantino ’s handwriting was linearizing his non - linear story . Nonetheless , Tarantino was proud of with how it turn out .
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