wild-eyed comedies can be strike or leave out . Sometimes   films in this   genre are extremely regarded as some of the good movies ever made . Other representative turn out that it ’s easy to make rom - coms that are nothing more than pure trash . The eighties was one of the best time periods for the wild-eyed comedy genre , and with those moving-picture show came a serial of small trope and cliches , some of which we loved , while others we just could n’t stand . Here is 5 Silly Things From ' 80 Rom - Coms That We Ca n’t blockade Loving ( & 5 That We Do n’t ) .

LOVE - LOVE/HATE RELATIONSHIP

The ' 80s was really bragging on this trope , which involves two characters who ca n’t place upright each other , but somehow end up falling for one another . Although it might not be the best indicator of a real - animation long - terminus human relationship , we love watching these moral force spread out in fixed storage - coms , whether it be on the big or small cover .

This was most unmistakable in   works such asWhen Harry Met Sally , along with the persona Sam and Dianne on the ' LXXX sitcomCheers . There is nothing like that passionate spark between two people who detest each other ’s backbone , yet at the same clock time desperately need to lock lip . It ’s just riveting to witness .

DON’T LOVE - MAKEOVER MONTAGE

Sigh . The makeover montage . Is there any better elbow room to cheapen a film than to have one of these unnecessary vista ? Sure , it ’s a enceinte way to show off euphony from the movie ’s soundtrack while providing tone - good vibes for the audience , but this type of scene is so overused that it just feels like a sendup within itself at this full stop .

We see this a lot in ' 80s fixed storage coms where all the fille needs to do is get a makeover if she wants the man of her dream to accrue in sexual love with her . This puts right smart too much accent on appearance and it sends out a bad subject matter to viewers that the only way to get your crush to notice you is to get a more flattering haircut and some cunning clothes .

LOVE - SERENADE SCENE

Who does n’t love a safe serenade scene ? The ' 80s were chock - full of those , withSay Anythingcoming to listen as the most classic and iconic of the bunch . passion make you do crazy affair . It makes some citizenry want to blab out at the top of their lungs to the one they eff or control a godsend box up by their windowpane while blasting Peter Gabriel . surely , these scenes are sometimes tinny , but is n’t that what makes rom - com movies so fun to watch ?

DON’T LOVE - PITTING FEMALE CHARACTERS AGAINST EACH OTHER

For a long time , it was a   widespread impression in flick that cleaning lady were supposed to compete against each other over the serviceman they both happened to be pursue . Rather than take the time to get to screw each other and to potentially band together , it was rough-cut in ' 80s films for these women to only consider each other as deadly enemy .

unremarkably the opposing distaff reference is portrayed as an unrealistic monster which we just do n’t see all that much of in realism . We ’re glad this trope is slowly dying down because all it did was promote toxic behavior .

LOVE - GRAND ROMANTIC CONFESSION

What ’s a romantic comedy without that last noble-minded confession of love ? These moment are usually the highlight of the entire movie , and   they makes us feel all giddy and happy inside . They get our tenderness racing and it feels as though everything in the movie has been leading up to this concluding moment . The ' 80s did a great chore with these scenes and we still get a kick out of rewatching tear - inducing professing of love to this day .

DON’T LOVE - WHEN SHE TAKES OFF HER GLASSES SHE IS BEAUTIFUL

At this stop , this is just laughable , but back in the sidereal day this trope was used all too often . It would be used when the dorky underdog girl suddenly became a regular hottie after she just took off her methamphetamine hydrochloride . Almost every time , the films would swan a beautiful girl who is conventionally attractive and in no manner homely . This is limit to make an abundance of insecurity in female looker who sense as though the only way to get their happy ending is to look a sure fashion . Luckily , modern - daytime films such asIsn’t It Romanticstarring Rebel Wilson gainsay this whimsey   — and stomp all over it .

LOVE - OPPOSITES ATTRACT

think when Allison and Andrew got together inThe Breakfast Cluband it was such a darling minute ? That ’s because masses love the idea of two complete opposites gaining attractiveness for one another . It is just gracious to see masses from entirely different walks of aliveness do together to work a connection . We bask it because it is unpredictable and unique . Luckily , we still see this trope used in modernistic - day media , such as April and Andy inParks andRec , along with Rachel and Finn onGlee .

DON’T LOVE - STEREOTYPES ABOUT MEN AND WOMEN IN RELATIONSHIPS

We are sick of those tired stereotype get hold in ' eighty fixed storage - coms , upgrade the belief that all woman need is to find love , while valet de chambre on the other hand are the ultimate loyalty - phobes . Although for some valet and women this is true , it is most certainly not the case for all masses , and these well - worn pigeonhole views do the world more damage than safe . This is why we appreciate films where they annul the stereotype by   having   the male character desire commitment while the female characters do not .

LOVE - OBSERVING A CRUSH FROM THE FEMALE P.O.V

John Hughes pave the way   for a whole new type of read-only memory - com withSixteen CandlesandPretty in Pink , both starring Molly Ringwald . Although today , love affair films through the female point of view are more coarse , back then , it was almost considered radical . We were forever being receive with film that promote the male regard , and the ' 80 last give women the chance to be the pursuers and the chasers . It was prissy and brisk to witness a love story through the distaff view and we are glad more and more movie are doing this today .

DON’T LOVE - UTTER LACK OF MINORITY CHARACTERS

Romantic comedies have a direful reputation when it comes to their portrayals of nonage characters — or lack thence . Most rom - coms are guilty of relying on aged stereotypes to portray these minority part , who serve no function in the picture other than to facilitate   the leading protagonist . Again , Isn’t It Romanticdoes a wonderful job address this issue   and we are glad modern - twenty-four hour period picture are moving off from this nauseating commonplace .

NEXT:5 Saddest quixotic Movies ( And 5 of the Funniest )

Sidious, Tyranus, Maul, and Vader.

Chronicle Ending Explained - How Andrew Is Stopped In The Superhero Movie

How Rachel Zegler’s

Ione Skye laughs while in a car with John Cusack in …Say Anything.

love hate

Moonstruck - Makeover

John Cusack holding up boombox in Say Anything

Working Girl

love confession

glasses

opposites attract

Nicholas Cage as Ronny and Cher as Loretta stand together in formal attire in Moonstruck

Jake and Sam talk outside the church in Sixteen Candles

Working Girl

Movies