Ghostbusters
The original 1984Ghostbusterswas plainly a phenomenon in its time , a revealing of funniness and horror . From the manager ofMeatballsandStripes , Ivan Reitman ’s third go - around withBill Murraystruck right-down gold . It had much discriminating wit and creativity , and the entire cast seemed bear for their roles . But this franchise has already seen two more iteration , and even five years later , the first sequel basically felt like snug nostalgia . But rosy memories are well leave unchanged . The 2016 reboot was predictably drag through the mud . However , it also do to completely misapprehend theessenceof the original . So , let ’s list some things that the 2020 sequel needs , and some issues we can definitely do without .
Needs: Genuine Scares
AlthoughGhostbusters IIfell adamantly into a mob - friendly atmosphere , the original did n’t start off that path . Our first coming upon with the librarian ghost is passably unsettling , and probably gave Kyd nightmares . clowning work well when there ’s direct contrast . If everyone is joking all the time , it has less economic value and effect . So , if there ’s no sincere revulsion to poke fun at , then it ’s not going to work . And despite some dated effects , probably unbelievable for the time , the Zuul “ Terror Dog ” was pretty intimidating . Its hellhound appearance was very effective . Ultimately , the first film had the playful attitude of a preoccupied house . And , that ’s still all we really postulate .
Avoid: Vulgarity
The original film was n’t exactly unflawed . There ’s definitely some tornado in its armor , and one of the scenes that still feels pretty out of place is Aykroyd ’s relations with a specter . Some of the other sensuality in the film works on a kooky level , but outright sexual practice does n’t fit . for sure not for the objective demographic of its time . Paul Feig , director of the 2016 reboot , is have it off for successfully using raunchy temper . Bridesmaidsand evenSpyare great examples of that . But similar jokes did n’t work in 2016 . This series was always think to be cockamamie enough for child and adults likewise . It should be nestled between edgy enough and going too far . The comedy should be witty , not raunchy , even if that direction could work .
Needs: Modern Parody
BeforeCabin in the Woods , which feels more like a judgmental joint than the ribbing of a horror buff , we hadGhostbusters . It twist the total repulsion genre on its head , merely by understanding it so well . The story deconstruct various tropes , without being blatant and condescend about it . It was n’t quite an unlimited spoof , like one ofMel Brooks ’ classics . There had n’t been anything like it , really . And now , repugnance has evolved . It ’s come a long way , and it ’s absolutely good for the pick . We desire to see what modern sensibilities can be mined for fresh jokes that verbalize to us , the mode the original spoke to 80 ’s fans .
Avoid: Caricatures
When you ’re make a parody , it can be very well-to-do to accidentally suffer the reins . There are dozens of mockery that end up yielding to the same issue that they intended to mock . Somehow , Ghostbustersmanaged to toenail that line . It was goofy , and it absolutely lead overboard , but it was controlled pandemonium . That ’s due to the actors . They take to feel like actual people . They can be silly and strange , but they ca n’t just be caricatures . That was a serious job in the 2016 reboot . Our original protagonist each feel like an everyday person , watch up in something extraordinary . All of the adventures and laugh can be steep , as long as the characters themselves are rooted in some figure of reality .
Needs: Deadpan Bill Murray
The original is absolutely Bill Murray ’s movie , from begin to cease . The entire thing was fundamentally a fomite for his blase comedy . Murray refuse to take any of the horror gravely , while everyone else play it directly . This is decidedlythehighlight of the ‘ 84 movie . He did n’t even take the romance in earnest . Somehow , he was still charming enough to get by with sneak behavior , in this fictional world . The story was literally design for Murray to just be himself , and even inZombieland , this was put to heavy use . And although we sense that he should be ineverymovie , Murray ’s absence in this dealership would be an absolute travesty .
Avoid: Blatant Messages
Needs: Balanced Effects
If there ’s one thing that can be said for both the controversial 2016 reboot andGhostbusters IIalike , it ’s that especial effects are n’t everything . That especially goes for the most late installment , where everything was so bloated . The ocular effects splashed the concealment like a Saturday - morning cartoon , for an raring child that ’s hopped up on last night ’s Halloween pelf . effect should n’t just be a crutch . Every supernatural entity in the original had its own personality . The bibliothec is nothing like Slimer , who is nothing like Stay Puft or Zuul . Just keep CGI down to a minimum , and prioritize hard-nosed effects . The movie will get on best , and it wo n’t feel so gimmicky or plastic .
Avoid: Poor Marketing
A lot can go incorrect if you startplaying with people ’s expectations . There ’s been more than a few drone out there that altogether spoil the final scene of the motion picture . But even worse , there are some that make promise the film ca n’t keep . Time and money are precious , and it ’s no admiration that Hollywood keeps rely on indecorum .
They do n’t want to risk their own jobs on something original . But whatever your flick is , you should absolutely own it . If your trailer ca n’t find any intellect for the film to survive , it probably does n’t have one . But the marketing for the 2016 reboot was totally mislay , poorly believe , and execute . mass hated the film before they even see it . check that the 2020 sequel owns its personality , whatever that may be .
Needs: Innovation
The first subsequence toGhostbusterswas something of a retread , in and of itself . And that was back in 1989 . The last matter we need is a trip down memory lane , a story fire purely by nostalgia . Modern Hollywood has enough of that already , and it miss more than it reach .
While rooter inspection and repair can be a fortune of fun , the original film is always noted for its novel estimation . It pave the route , even while basking in the concepts of horror history . The best matter a new subsequence could do , to rest genuine to the original , is go on that instauration .
Avoid: Unsatisfying New Characters
If there ’s one thing we can be certain of , it ’s that the new moving-picture show will probably sample to authorize the flashlight in one way or another . It can inclose the smallest of character , as an aside , that would allow for more sequels if 2020 proves successful . That ’s just the elbow room it is . But the characters have to be original , rather than mere reduplication . They have to be cast well , and have their own personality . Fortunately , we already be intimate that actor like Paul Rudd and Finn Wolfhard are join the crew . But new characters do n’t just have to deliver the clowning . They also ask to convey something endearing , kindly , or creative . And they definitely need to feel like they fit in the original universe of the franchise .
NEXT : Everything We roll in the hay ( So Far ) About Ghostbusters 2020
