After years of rooter beg Marvel Studios to give Natasha Romanoff her own movie , they’ve in conclusion relented and gotten one into production . The only downside is that it’sright after the fictitious character was pour down offfollowing a nine - class tenure as one of the MCU ’s foremost heroes . But at least it ’s in reality happening .

There ’s no exit date set forBlack Widow , but it ’s expect to be released some clip in 2020 and Kevin Feige has called it the beginning of the next chapter of the MCU , which is passably exciting . In the past times , the franchise ’s solo movies have suffered from a few coarse issues . Here are 10 MCU Solo Movie ProblemsBlack WidowNeeds To keep off .

Formulaic origin story

root news report in the MCU run to follow a pretty rigid news report structure . It was o.k. at first , but the formula is arise predictable and stale . There have been someattempts to shake up the origin narration formula , like the non - chronological storytelling ofCaptain Marvel , which dribble us in the middle and take us back and forward with the Skrulls ’ memory - seek machine . But on the whole , the MCU ’s ancestry level tend to be generic and formulaic .

Fortunately , the set photograph fromBlack Widowseem to suggest thatthis wo n’t be an origination story – or , at the very least , it ’ll be an unconventional one – so the filmmakers are already on the direction to fixing this .

Too much focus on connecting to the wider MCU

The MCU has a tendency to get bogged down in connect its solo movies to the wider universe of the franchise . While it ’s fun to see the Falconpop up to fight Ant - Manat the Avengers ’ headquarters or Doctor Strange supporter Thor find his dad , it also stops the movies dead .

The most successful solo movies , likeGuardians of the GalaxyorCaptain America : The Winter Soldier(boy , 2014 was a good yr for the MCU ) , just focus on telling the stories of their characters and honoring them . The best fashion to make aBlack Widowstandalone moving picture is quite simply for it to stand alone .

Shoehorned-in love interest

The problem with a lot of MCU solo pic is that the studio often feels the want to cram in a making love interest . Now , this can extend to interesting , lasting character , like Pepper Potts and Hope Van Dyne , but it can also lead to disappointingly banal characters , like Jane Foster and Christine Palmer .

Natasha Romanoff does n’t need a love interest , partially because they already sample give her a lovemaking pastime in the contour of Bruce Banner andthat romantic electric arc operate down like a lead balloonand partly because the character is interesting enough on her own , without a shoehorned - in love involvement .

Indistinguishable musical score

A big trouble that the solo moving-picture show in the MCU have is that their melodic scores are just generic orchestral writing . The composers usually do n’t leave an plain marklike Hans Zimmer did onThe Dark Knighttrilogyor arrive up with any instantly placeable melody like John Williams did forStar Wars .

Black Widow ’s advantage is that the type has already been around for long time , so there ’s already a depository library of musical theme written   for her . The movie ’s composer ( who has yet to be announced ) can build on those to give us a classifiable soundtrack that only Natasha Romanoff would have .

Lack of weight to the stakes

Some fans criticize the MCU for a lack of stakes , but that ’s distinctly balderdash since there are always plenty of stakes , whether it’sthe whole of S.H.I.E.L.D. collapsingor Tony Stark creating a sentient A.I. out to on creation domination ora purple alien interpolate the material of reality . The actual problem is that there is seldom any weight unit to these stake .

The demolition of Asgard should ’ve been a momentous occasion , but sinceThor : Ragnarokwas primarily a comedy and the fictional character just joked about Asgard ’s demise and shrugged it off , the scene had no weighting . Black Widowcan fix this by giving the worked up scenes some genuine heft rather of undercut them with liquid body substance .

Forgettable villain

One of the most rough-cut unfavorable judgment of the MCU roll around its “ villain trouble . ” Whilethe fighter are all fantastic , flesh - out characters , its villain be given to be one - dimensional and forgettable . Either their plans are too vague ( Ultron ) or they ’re ill characterize ( Yellowjacket ) or they ’re merely uninteresting ( Malekith ) .

Of of course , the MCU has had some genuinely great villains , like Thanos and Killmonger , but they ’re few and far between . With the rumor pulverization suggest that the villain inBlack Widowwill bethe Taskmaster , a rooter favorite from the comics , the filmmakers have an opportunity to contribute tothe MCU ’s modest roster of great villains .

Compromising the director’s vision

The MCU has often been criticize for compromise the creative visual sensation of its directors . There ’s a schooling of cerebration that , at least in some shell , this is n’t lawful – James Gunn and Taika Waititi ’s personal stamps are placed very firmly on their MCU pic – or that it is n’t an issue , since the directors are engage by Marvel to do a occupation and not to have “ vision . ”

But on the whole , each MCU installment feels basically the same , because Marvel has the money and , as a solution , more control over the films . Scarlett Johansson herself selectedBlack Widowdirector Cate Shortland , so hopefully she ’ll be give as much creative controller as Gunn and Waititi .

House-style production design

In the Marvel Comics world , there are a huge variety of flavour and style to suit the immensely different reference , but the moving picture in the MCU all feel very like . They pretty much followthe establish house elan that was set in Phase 1 , no matter how much Marvel will insist that all of its flick go down into a different genre . Ant - Manmight have a heist in it , but it in the end feel more like a generic Marvel superhero movie than a heist moving-picture show .

With theBlack Widowmovie , a true standalone celluloid in the gumption that it ’s not driving towards some grander future storyline ( becausewe already saw the grander future plot line ) , there ’s a material opportunity to make a picture show with its own unequaled look .

Overreliance on humor

Ever since Marvel figured out thataudiences make out Robert Downey , Jr. ’s dateless quippingin the role of Tony Stark and an overtly comedic moviesaved the Guardians of the Galaxy from obscurity , the MCU has relied too much on sense of humor .

It ’s fine for some theatrical role to be funny – in the case of characters like Scott Lang and Peter Parker , it works for their personation – but now , every exclusive fibre is cracking zingers and it ’s getting harder to take the motion-picture show in earnest , because they do n’t take themselves badly . Black Widowcan , and should , have some humor , but it does n’t need to apply it as a crutch .

Playing it safe

Movies in the MCU seldom take risk , because Marvel needs every one of these movies to be a smash . And that ’s a ignominy , because when they do take risks – likekilling off half the castand get the baddie actually succeed in their evil programme – it ’s immensely satisfying .

leave that devotee have been exact to see aBlack Widowmovie for almost a decade , it ’s guarantee that this flick will be a hitting , no matter what happens . Plus , there is no obligation here to play it safe . We ’re going in knowinghow and when the lead part give way , while her origin story has already been touched on in flashbacks . So , for the first meter in a solo movie , Marvel has a hazard to take serious risk of exposure .

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Black Widow