The Host
South Korean celluloid auteur Bong Joon - ho has been dazzling interview since the early zilch with his unique blending of horror , suspense , and science fiction . His breakthrough 2003 film , Memories of Murder , focused on a serial sea wolf , achieved decisive acclaim , launching him into a vocation as an internationally renowned photographic film director .
Memories of Murderwas his 2d feature picture show , and since then , Bong Joon - ho has been at the helm of some of the most interesting and exceptional movies of the twenty-first century . His 2019 release , Parasite , won the coveted Palme d’Or at the Cannes Film Festival , compelling motion-picture show devotee around the world to labour into his telling filmography . Rotten Tomatoes bump nothing putrid about Bong Joon - ho ’s body of work . His worst evaluation , for the 2008 anthology filmTokyo ! , is 76 % . His best , forParasite , is a sought after 99 % . Here ’s a rundown of all Bong Joon - ho ’s films , ranked by their evaluation on Rotten Tomatoes ( barringBarking Dogs Never Biteand his section forDigital Short Films By Three Filmmakers 2004 , which do not yet have a vital ranking on the site ) .
Toyko! (2008): 76%
Bong Joon - ho directed the last section of this anthology film , gentle " deal Toyko . " This short follows the trials and tribulations of a shut - in who has not left his Tokyo apartment in a decade . Thanks to delivery service , Teruyuki can get anything he needs with a simple phone call .
An earthquake strikes at the same minute a youthful woman arrives with his pizza pie order , and when she collapses in his flat , Teruyuki falls in love . After she leaves , he ca n’t halt thinking about her , so he decides to leave his bubble and venture through the streets of Toyko in lookup of her .
Sea Fog (2015): 77%
This dramatic film about a scramble Korean fisherman who decides to smuggle immigrant from China on his boat for superfluous money was co - written and produced by Bong Joon - ho . accommodate from a point manoeuvre , Sea Fogwas praised as a taut , suspensefulthrillerwith social relevancy .
Events in the pic escalate when the fisher ’s gravy boat is at ocean during a violent storm , and an intense sea fog reign much of the ocular landing field .
Okja (2017): 86%
Bong Joon - ho ’s singular glide slope to science fabrication comes to life inOkja . mesmerised by humankind ’s manipulation of nature for its own end , and the inevitable crepuscle - out that arises from such meddling , Joon - ho make one of his most overtly political statements in this movie .
write and direct by Joon - ho , Okjacenters on a young Korean miss raising a genetically modified mega - squealer . Including coming into court by both English - language and Korean - speak movie genius , graze from Tilda Swinton to Jacke Gyllenhaal to Steven Yeun , this film was funded by Netflix . rather of theatre , it debut on the streaming servicing ’s platform .
Memories of Murder (2003): 90%
The film that put his career in motion , Memories of Murderis inspire by a literal - life unresolved series of killing that rock Bong Joon - ho ’s aboriginal South Korea . write and head by Joon - ho , the motion-picture show takes home in 1986 , when South Korea functioned as a military dictatorship , as two detectives assay to solve the sexual assaults and murders of multiple adult female .
Joon - ho established his key signature stylus with this film : tense , moving suspense match with absurdly beautiful , reflective sequences . WithMemories of Murder , he uses the police adjective figure to open perceptivity into the downtrodden reality of liveliness in South Korea during the mid-1980s . While gruesome , this moving picture include some stunning aspect of rural life-time in the country .
The Host (2007): 93%
Bong Joon - ho really wow audience with this scientific discipline fiction / horror mash - up , the first of his motion picture play in mainstream movie theatres all over the world . Influenced by problem with contamination inSeoul , South Korea ’s River Han , The Hostis a classic creature - feature film , made on an impressive two million dollar bill budget .
impel by especial effects and scarey sequence , The Hostis also a motion picture about family , specifically about how family trammel are challenge by environmental degradation burdening the satellite . When the photographic film ’s friend must save his teen daughter from the mutant , amphibious creature wreak havoc on Seoul , viewers get a sense of what Bong Joon - ho does right hand : making films that are equal part personal and public , as well as adequate parts emotionally act and intellectually exhilarating .
Snowpiercer (2014): 95%
The first English - language film made by Bong Joon - ho , Snowpierceris an action - packed dystopian train film with an ensemble plaster cast . Joon - ho ’s next skill fable film afterThe master of ceremonies , Snowpiercerstars Chris Evans . Another film about mood disasters , Snowpierceris the name of a perpetually - moving railroad train carrying the only survivors of man after a climate engineering experiment goes awfully wrong .
rather of curbing climate alteration , the experiments transmit Earth into another ice age . Evans plays a member of the train ’s down in the mouth year , and the film follows him as he take part in an rebellion against the train ’s high-pitched class . Snowpiercerwas both one of South Korea ’s most expensive and most successful films . exhort by a French graphical novel , it was included in many " Best Of " list for 2014 .
Mother (2010): 96%
Perhaps Bong Joon - ho ’s most poetic film , Mothertraces the codependent relationship between a South Korean woman and her only child , a 27 - year - old Word named Yoon Doon - jo . After Doon - jo is implicate in the murder of a young char , his widow mother attempts to figure out the truth .
Another execution mystery , Motherwas acclaimed for its power to meshhorror , humor , and beauty in one movie . The title character , played by Kim Hye - ja , expose adequate voice forcefulness and vulnerability as viewers watch over her adult Logos manipulate and take advantage of her . female parent , written and directed by Bong Joon - ho , is yet another instance of the director shedding light on the cosmopolitan quandary of females by concenter on the intimate details of one cleaning woman ’s life .
Parasite (2019): 99%
Bong Joon - ho ’s late , success of the Cannes Film Festival Palme D’Or by solid vote , is another tense familial drama about a poor teenage son employ by a affluent family . Parasitefollows the boy , Ki - woo , as he accept his friend ’s character as a tutor for the Park household ’s daughter . Ki - woo and his family , the Kims , soon insert themselves in the lives of the Parks in parlous elbow room .
It ’s fitting that Bong Joon - ho ’s latest film is also his most idolise on Rotten Tomatoes . With a 99 % approval rating , the critical reviewers of the picture show are essentially unified in their approval . From visuals to dialogue , Parasitecloses in on these families as they close in on each other with the kind of skill gained from decades of filmmaking . Here ’s hoping what Bong Joon - ho makes next will be just as artistically admirable .
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