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Star Wars : The rising slope of Skywalkereditor Maryann Brandon break she begin to patch the photographic film together on - set during production . The culminate chapter of the Skywalker saga hit theaters this December , go for to end the storey on a high preeminence before Lucasfilm looks ahead to a new era . As has become par for the course for the dealership , several plot details are being keep firmly under wrapper , but fans have already analyse every shape ofthe mystifier trailer from a brace months agoand recently made their means throughVanity Fair’smega cover history on the film .
Any film is a massive undertaking to grow , but aStar Warsmovie is a rattling project . Due to the bountiful - budget , spectacle - driven nature of these task , post - production can take a foresightful clip to complete , considering the sheer amount of optical personal effects shots that need to be generate before the concluding picture is locked . Episode IXhas been on course for a Christmas 2019 premiere since the fall of 2017 ( the film was pushed back after J.J. Abrams took over as conductor ) , so the team had to figure out how they were going to get everything done on time . And they found a direction to expedite the post - production operation .
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While speaking at the Script to Screen series at the Carsey - Wolf Center in the first place this calendar month ( hat tipComingSoon ) , Brandon discussed what she did onStar Wars 9 . Since the schedule was myopic than what she worked with onThe Force Awakens , she had to get originative fashioning up for befuddled time :
“ When we did The Force Awakens , we started in May and we finished shooting in October , and we were out [ the following ] Christmas . For this film , we did n’t start until August , so we were n’t done until February shot – so we have four months less time , and it ’s a very big film . So I convinced J.J. to get me cut on the readiness . He was like , ‘ No , we never do that ’ . ”
Compared to the other two installments in theStar Warssequel trilogy , The Rise of Skywalkerhad a pissed schedule . As Brandon notes , The Force Awakenswrapped in October 2014 , andThe Last Jediconcluded principal photography in July 2016(nearly a class and a half before the film hit theater ) . Nobody is saying thatStar Wars 9is rush , but losing four months on a moving-picture show of this scope can make thing difficult . Brandon was simply catch in front of a possible problem , allowing the team to essentially kill two birds with one stone . Editing on - set had its benefits ; Brandon was capable to see how the film was coming together as it was being shot , so if she needed any extra textile for a scene , she could get it then and there . Ideally , this will aid make post - yield run more smoothly and minimize the indigence for reshoots ( though there will likely still be some of those , as there are on all tentpoles ) .
All in all , this reads as a logical and smart decision on the part of Brandon , especially consider there ’s still a draw of work left to be done onThe ascent of Skywalker . It ’s important to keep in idea that Abrams did n’t lock up final picture onForce Awakensuntil November 2015 - one calendar month before the movie come out in theater ( and that ’s with four additional months of post - production time ) . It would n’t be out of the motion if something similar happened onStar Wars 9 , so streamline the editing process will help a slap-up deal .
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Source : Script to Screen ( viaComingSoon )
