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The Twin tower still look in one shot of Sam Raimi’sSpider - Man . The marketing for the very firstSpider - Manmovie kick off in 2001 , and the first tease trailer was view as one of the most successful pieces of visual marketing sinceTerminator 2 . It feature a stunning lot spell in which the rampart - crawler had built a entanglement between the Twin Towers to charm crooks fly the coop in a helicopter , one of the most creative uses of New York architecture in cinematic history .
This preview was in Summer 2001 , just four months before the calamity of September 11 , 2001 , when the Twin Towers fall , and the New York skyline - and the public - was changed perpetually . Sony pulled the teaser straightaway , along with the first poster that show the tugboat chew over in Spider - Man ’s eyes . The Marvel film was far from the only upcoming release to face this problem;Men in Black IIcut view boast the Twin Towers , whileZoolanderdigitally erase them . On the small-scale screen , evenPower Rangerswas involve . But the issue was particularly affecting for Sam Raimi’sSpider - Man , which treat New York City almost as a character in its own right . Sony attempted to delete any reference to the Twin Towers in the pic itself , and new scenes were append stressing New York ’s 1 in the font of adversity .
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For all Sony ’s effort , they were n’t solely successful ; there ’s one brief scene inSpider - Manwhere the Twin Towers are visible , reflected in the centre - lenses ofSpider - Man ’s mask . It comes at the end of an prolonged collage showing New York ’s response to the new hero , culminating in Spider - Man clinging to the side of a wall and star out at his city . It ’s the same nip shown at the close of that first annoyer trailer , where Spider - Man was primitively looking at the web he had made .
It ’s likely that , due to the complexness of the visual effect ( the camera zoom out of the expression of the towers inSpider - Man ’s eye genus Lens ) , it would have been unvoiced to digitally erase this minute of iconography in a necessary shot . It also may well be that the editors scrubbed the principal prospect , and just did n’t consider the reflection .
There ’s a curious honourable debate over whether or not studio like Sony did the correct affair in trying to delete the Twin Towers from their pic . 9/11 left the United States reeling in pain , and that it took the country yr to process its corporate trauma and grief . This hurried decision feels as though it represents the first stage of this grief , denial . That ’s not needfully a bad affair ; a degree of escapism is helpful , after all . However , some films such asKissing Jessica SteinandSidewalks of New Yorkchose not to remove the Twin Towers , and they were n’t criticized for doing so ; in fact , there are accounts of citizenry cheering in the film when they saw them .
It is , however , so very appropriate that the narration of the Twin Towers and the first Spider - Man motion picture are interwoven . Peter Parker delights in calling himself " Your Friendly Neighborhood Spider - Man , " and 9/11 shook that neighborhood to the core . consider through the lens of time , that abbreviated glimpse of the Twin Towers run an worked up weighting it could never have been intend to have . It feels as though Spider - Man is look at the ghost of past disaster , resolving not to permit it be repeated , add new pathos to his creed that with great power come corking responsibility .
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